GLOSSARY ENTRY (DERIVED FROM QUESTION BELOW) | ||||||
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16:10 Mar 1, 2002 |
English to Polish translations [PRO] Media / Multimedia / media | |||||||
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| Selected response from: Barbara Szelest-VanDussen United States | ||||||
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tłumaczenie szeptane synchronizowane i niesynchronizowane Explanation: Nie mam pojęcia, o co chodzi, ale tak strzelam: Do¶wiadczenie w nagrywaniu synchronizowanych i niesynchronizowanych tłumaczeń szeptanych. Wydaje mi się, że voice-over po polsku nazywany jest szeptank±: http://www.infofilm.pl/html/akademia/postprodukcja/abcdubbin... chociaż mnie osobi¶cie słowo "szeptanka" kojarzy się z rodzajem tłumaczenia konferencyjnego nazywanym z francuska bodajże "chouchautage". Wydaje mi się też, że "timed" w odróżnieniu od "wild" jest w jaki¶ sposób synchronizowany z oryginałem, przy czym nie s±dzę, żeby chodziło o różnicę między o voice-over a dubbingiem. -------------------------------------------------- Note added at 2002-03-01 17:07:49 (GMT) -------------------------------------------------- Chuchotage, Hania, wstydĽ się. |
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narracja swobodna i synchronizowana Explanation: voice-over = the voice of an unseen commentator heard during a film, television programme, etc (Collins English Dictionary) = pozakadrowy głos prezentera (Słownik Marketingu) I would just say NARRACJA SWOBODNA I SYNCHRONIZOWANA |
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voice-over zsynchronizowany z ruchem ust oraz bez synchronizacji lub voice-over nagrany do/bez filmu Explanation: Wedlug glosariusza Proz "voice-over" to "nalozenie glosu przez lektora/szeptanka/albo voice-over". Wiem, ze we Wloszech np. czesto sie nasmiewano z amerykanskich filmow na polskich kanalach telewizji, bo jeden lektor gadal za wszystkich. Wydaje mi sie, ze "szeptanka" to taka Polska rzecz i moze (?) tu chodzi bardziej o dubbing, dialogi albo...voice-over: http://www.abstrans.com/services.html "We are available for a variety of voice-over services. This includes narrations and dubbing for various medias."!!! W takim przypadku tlumaczona fraze mozna by wyjasnic tym fragmentem: "Dialogue in a film takes on, ultimately, one of two forms. Either the words are spoken by an actor on screen, with the lips visible to the audience; or, the words are spoken by an actor off screen, or by an actor on screen whose face is not visible. Dialogue from an actor whose face we see is termed "lipsync", because the words must match the movement of the lips. All other dialogue is considered "wild", since it does not have to sync with any on screen source." Oprocz tego znalazlam cos o narracji: "The first way, or style, is to have the narrator view the film and record live commentary while it is projected. The lines may be from a script or totally improvised, depending on the film in question. This style is referred to as "sync to picture". As you have guessed, it is quite common to travelogues! The other approach, which is usually the preferred way of doing it, involves recording the narration "wild" from a script, instead of from watching the picture. The talent reads the lines from a prepared script, which are recorded as isolated takes. (Note, while it is true that some narrators may view the film in preparation of the recording session, the picture does not play a role during the session itself.) An editor then cuts the desired lines in place opposite the appropriate footage. This method gives the filmmaker maximum creative control over the relationship between picture and narration, and allows greater flexibility should editorial changes be desired later on. It also frees the narrator to concentrate on enunciation and delivery of the lines, rather than worrying about matching whatever is up on screen that moment." Jesli kontekst wskazywalby na ta opcje przetlumaczylabym: voice-over nagrany do filmu - timed voice-over nagrany bez filmu - wild Mam nadzieje, ze to cos pomoze. Reference: http://www.postproducer.com/Article/dialogue.htm Reference: http://www.postproducer.com/Article/narration.htm |
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